![]() ![]() Domino was the only successful rhythm and blues singer to have consistent popularity in the pop charts without greatly changing his style. He was, therefore, more acceptable to the pop audience. As Busnar explained, “Most of Fats ’ songs were less raw and sexually explicit than most other blues-based singers. ” With his 1956 string of successes, comprised of “I ’m in Love Again, ” a unique version of “My Blue Heaven, ” “Blue Monday, ” and his rendition of an old Louis Armstrong recording, “Blueberry Hill, ” Domino became a standard attraction in traveling rock and roll shows. ”ĭomino continued to provide Chudd and Imperial with cajun-accented rhythm and blues hits through the next five years, such as “Rockin ’ Chair, ” “Goin ’ Home, ” and “You Done Me Wrong, ” but he did not cross over into the popular charts until he released his 1955 “Ain ’t That a Shame. Rhythm-and-blues world and, more important, on its charts. Office -c/o Steve Cooper Willard Alexander Agency, 9229 Sunset Blvd., 4th Floor, Los Angeles, CA 90069. ![]() Worked on an ice truck and in a bedspring factory to support himself early in music career played with various musicians at numerous venues, including the Hideaway Club in New Orleans, 1949 signed recording contract with Imperial Records, 1950 concert performer, 1950 -.Īwards: More than 20 gold records inducted into Rock and Roll Hall of Fame, 1986 recipient of Grammy Lifetime Achievement Award, 1987.Īddresses: Residence -New Orleans, LA. married, wife ’s name, Rosemary children: Antoinette, Antoine III, Andrea, Andre, Anatole, Anola, Adonica, Antonio. Real name, Antoine Domino born February 26, 1928, in New Orleans, La. ’ ” As Ward reported, “ ’Fat Man ’ took off, winning Imperial some prominence in the For the Record … ” Noting the appropriateness of the lyrics to Domino ’s 5-foot-5-inch, 224-pound frame, Ed Ward remarked in Rock of Ages: The Rolling Stone History of Rock and Roll: “What better song to introduce the young singer than the one he opened with, the one that said, ‘They call, they call me the Fat Man/Because I weigh two hundred pounds. Chudd signed the young artist, and with Imperial ’s Dave Bartholomew, Domino penned the song that became his first rhythm and blues hit and established him as “Fats ” from then on - “The Fat Man. Lew Chudd, head of the independent Imperial record company in Los Angeles, was seeking new talent to get his label on the charts when he saw Domino play. In 1949, Domino was playing piano at New Orleans ’ Hideaway Club for three dollars a week. As Gene Busnar reported in his It ’s Rock ‘n ’ Roll, however, “through exercise and determination, reacquired almost full use of the hand and was able to continue with his piano playing. Working in a bedspring factory as a young man, one of his hands was injured by a heavy spring, requiring several stitches and making it doubtful that he would be able to use it again. But Domino almost missed his chance to effect such influence. Later, during his public career, Domino became known for blending these styles to arrive at some of the basic rock rhythms still used by contemporary performers in the field. He taught himself most of the popular piano styles of his time, including ragtime, blues, and boogie-woogie. ”īorn Antoine Domino in 1928, in New Orleans, Louisiana, to a family that would eventually include nine children, he became interested in playing the piano in his youth. Writing most of his own material, Domino consistently held high positions in either the rhythm and blues or the popular charts for twelve years, keeping his audience singing and dancing with hits like “Blueberry Hill, ” “Ain ’t That a Shame, ” and “Whole Lotta Lovin ’. ” Credited with playing rock and roll years before the phrase was invented, Domino ’s non-threatening performance style -called “childlike ” and “almost asexual ” by Sandmel -helped popularize the new music with mainstream audiences of both blacks and whites. ” In short, Domino successfully pleases audiences with the same rhythm-and-blues-based music he helped bring to the public ’s attention with his 1950 hit, “The Fat Man. The instrumentation and arrangements are totally unchanged -no young, disco rhythm sections, for instance. ” Sandmel praised Domino for his “indifference to current trends, ” and related that “Domino sticks to his own vintage sound and repertoire. After hearing rock pioneer Fats Domino in a 1985 concert in his native Louisiana, Ben Sandmel declared in down beat that “a classic rock originator can still be heard in peak form. ![]()
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